How much money would convince you to spend the night in a haunted house?
It's a simple but effective premise which has been the main trope of the haunted house genre for years. Typically, a group of sceptical guests are invited to spend the night at a mysterious benefactor's haunted house in order to collect a huge prize. But what if the house really was haunted? Another trope involves new homeowners who discover they have to exorcise its ghosts by solving the riddle of a past, heinous crime. Whether its the solution to a decades old murder that took place there or the discovery of the house being illegally built on hallowed ground.
But what if a house was haunted by its guests?
What's always intriqued me about the haunted house genre isn't so much the ghosts and monsters who lie in wait when the electricity fails and the lights begin to flicker, it's the concept that the house itself is alive. In the best of the genre, the house becomes a malevolent force, manifested by grief or madness as the residents become quietly unhinged. It feeds on their deepest fears, reflecting them back like a mirror. Driving them to leave or die.
Watch the Top 10 haunted house movies below and pray you’ll still be alive, and sane enough, to collect the prize in the morning.
In descending order of greatness:
10. House (1985)
I remember watching this film when it first came out on direct to video when I was barely a teenager, and it certainly wasn’t age appropriate. The orginal House film was hugely entertaining and a runaway home video success that spawned countless sequels which never bettered the original formula of one man alone in a haunted house that he could never escape.
The sheer inventiveness of the practical effects on display and creativity was pretty astounding for a low budget straight to video affair. In fact, the bathroom scene where the protagonist breaks the bathroom mirror and finds a portal to an alternative dimension on the other side freaked me out for years. I’ve never liked shaving ever since.
9. The Innocents (1961)
Despite the same title, this early classic is not to be confused with the excellent Norwegian film The Innocents from 2022.
This original The Innocents (1963) film is a slow burning creepy British classic based on an original ghost story by Henry James. It concerns a governess hired to look after two children who experience disturbing events which may or may not be in their own imagination.
8. The Amityville Horror (1979)
It’s a long time since I’ve watched this horror movie which was rumoured to have been based on a true story. It begins when a newly married couple purchase a house whose previous owners were murdered in their sleep. Evil still dwells in the house, invading the owners thoughts until they are no longer safe from each other. They obviously didn’t know about mindfulness in the 1970s.
Even now I wonder if I imagined the basement scene with James Brolin when the walls start to bleed. It horrified me for years. Either way, this 1970’s film is surpisingly bleak and oppressive, even now.
7. Poltergeist (1982)
Directed by Tobe Hooper of The Texas Chainsaw movie fame, Poltergeist is ostensibly a family friendly film until the family’s youngest daughter, Carole Anne, seemingly becomes possessed. In the infamous night time scene, she communciates with the static of their TV set to a dead channel, revealing the house has been possessed by a poltergeist.
This big budget horror film was written by Steven Spielberg and succeeds on many levels. It even spawned a catalogue of sequels with the memorable medium who communicated with Carole Anne once she was sucked into the after life by the spirits of the house. The sequel was even weirder and the series entered into social myth after the death of its young leading actress and other cast members.
6. The Legend Of Hell House (1973)
This film could almost be described as a modern remake of the original The Haunting film from 1963. There are so many similarities, it’s uncanny. Both films share the same premise when a group of people with varying motives enter a haunted house to investigate the possibility of life after death.
Roddy McDowell gives a compelling performance, as always, and the climax ramps up the sheer tension with crazy sound effects and over the top hysterics, buts its oddly compelling.
5. Hausu (1977)
I have to admit that this crazy Japanese movie is the least scariest haunted house film on the list, but it deserves a special mention thanks to its wild and creative take on the genre. A group of school girls are forced to spend the night in a haunted house and are murdered by ghosts they have disturbed in more and more bizarre ways. I mean, for gods sake, it features an animated sequence of disembodied fingers playing a piano that devours its victims.
I’ve probably watched this film about three or four times just to reassure myself that it actually exists. It’s truly bonkers and you would be forgiven for thinking Director Tim Burton directed this quirky little number, despite predating his career by twenty years.
4. Dark Water (2002)
From director Hideo Nakata of the original Japanese Ringu ‘Ring’ (1998) film, comes Dark Water, his natural and logical progression within the genre. This oppressive haunted house film takes the viewer on a journey through one woman’s grief as she searches for her lost daughter in an apartment building.
Dark Water is a precursor to The Babadook and Heriditary which would later use the themes of externalising inner grief with supernatural demons some 12 years later. It was easily ahead of its time and a truly harrowing emotional experience.
Nakata’s film is a better and more atmospheric film than the original Ringu film, and one that has been sadly overlooked.
3. The Shining (1980)
Some would argue that Kubrick’s The Shining is the greatest horror film of all time. But I would argue that it isn’t the greatest haunted house movie of all time. Sure, its incredibly atmospheric with Kubrick’s cold and technical use of tracking shots and pure, unadulterated tension, but the ghosts are subtly pushed to the background. Right up until the moment the viewer sees the final shot of the Ballroom photo from over a hundred years ago and you realise Jack Nicholson has been here before, and is actually haunting himself. For me, this film is more about the breakdown of the family unit and the fear generated from within, explored through the fearful eyes of Danny. The Overlook Hotel is the catalyst to domestic abuse. It’s one hell of a movie and one of my favourite films of all time.
Stephen King famously hated this film because of its cold, clinical interpretation of his story and characters, which deviates from his original novel.
2. The House By The Cemetery (1981)
It would be remiss of Freudstein if this list didn’t mention the classic movie which inspired our band name and all our musical death dreams, The House By The Cemetery.
This isn’t an orthodox haunted house genre film because Italian Horror simply doesn’t play by the rules. Lucio Fulci’s masterpiece features more scares for your money with a haunted house, zombie serial killer, incredible soundtrack, shocking deaths and buckets of realistic gore. The story follows the familiar trope of a family moving into a house in Boston only to discover there’s something lurking in the basement, and soon realise their new home was built on the site of an old graveyard. The protagonist’s son, Bob, is also receiving premonitions much like the character of Danny in The Shining.
House By The Cemetery is the third in Lucio Fulci’s Gates Of Hell Trilogy and features amazing practical effects, a wild and sometimes incoherent storyline, and one of the best zombie monsters in living dead history.
Dr Jacob Freudstein is ready to see you in the basement, now.
A stone cold classic.
1. The Haunting (1963)
Based on Shirley Jackson’s classic novel, The Haunting (1963) is a film steeped in dread atmosphere and sheer tension with its use of skewed camera angles, fish eye camera lenses, and eerie sounds effects to summon the supernatural. These techniques epitomise the haunted house genre as it slowly, and believably, disorientates its viewers. We experience the world from the house’s point of view through the eyes of Eleanor as she descends into madness, and we come to believe the house is truly alive. And in control.
Some may decry the lack of horror and violence in this creaking old classic. The director, Robert Wise, instead implied the presence of a house possessed, and never revealed the ghosts which drive its residents to madness and despair. Instead he leaves this up to our own imagination, using camera work that Sam Raimi, the original director of the Evil Dead, would go on to borrow when he relocated the story to that other famous trope, the cabin in the woods.